Perbandingan Jejak Kolonialisasi Amerika dan Rusia: Kajian Sastra Bandingan Dua Film Animasi Jepang Hotaru No Haka Karya Isao Takahata dan Jopanni No Shima Karya Shigemichi Sugita
Keywords:
Japanese Animated Film, Postcolonialism, Comparative LiteratureAbstract
Animated films are part of literary works with a form of postmodern fiction. It is shown that animated films fulfill the requirements as literary works, which are fictitious, medium in language, and aesthetic. As a literary work, animated films have similar structures, such as characters, characterizations, settings, and plot. The problem of this study is what is comparion of colonialism trace between Isao Takahata Hotaru no Haka and Shigemichi Sugita Joppani no Shima. The purpose of this study is to compare the traces of American and Russian colonialism in both animated films by looking at their elements such as hybridity and mimicry. The research method that will be used in this research is descriptive qualitative. Descriptive research is research that aims to provide (describe) a condition or phenomenon that exists as it is. The shift in the meaning of "war" is shown from the transformation of the first film to the second film. The thing that needs to be raised is that the second film wants to restore the spirit of Japanese society. The identity of the Japanese people who easily rise from adversity is explored again. Another thing is a form of diplomacy with the Russian state. This is considering that Japan and Russia are two countries side by side. The film Jopanni no Shima wants to be a medium for the relationship between the two countries.
Downloads
References
Ashcroft, B., Griffiths, G., & Tiffin, H. (2003). Menelanjangi Kuasa Bahasa Teori dan Praktik Sastra Poskolonial. (F. Soewandi & A. Mokamat, Trans.). Yogyakarta: Qalam.
Bhabha, H. K. (1994). The Location of Culture. New York: Routledge.
Bhabha, H. K. (1998). Nation and Narration. New York: Routledge.
Boehmer, E. (2005). Colonial and Postcolonial Literature. New York: Oxford University Press.
Damono, S. D. (2015). Sastra Bandingan. Jakarta: Editum.
Damono, S. D. (2017). Alih Wahana. Jakarta: Editum.
Faruk. (2007). Belenggu Pasca-Kolonial Hegemoni & Resistensi dalam Sastra Indonesia. Yogyakarta: Pustaka Pelajar.
Gandhi, L. (2006). Teori Poskolonal Upaya Meruntuhkan Hegemoni Barat. (Y. Wahyutri & N. Hamidah, Trans.). Yogyakarta: Qalam.
Iles, T. (2008). The Crisis of Identity in Contemporary Japanese Film: Personal, Cultural, National. Boston: Brill.
Ireye, A. (1981). Power and Culture: The Japanese-American War 1941-1945. London: Harvard University Press.
Kono, K. (2010). Romance, Family, and Nation in Japanese Colonial Literature. New York: Palgrave.
Moore-Gillbert, B. (2000). Postcolonial Theory: Contexts, Practices, Politics. London: Verso.
Noor, R. (2006). Pengantar Pengkajian Sastra. Semarang: Fasindo.
Nygren, S. (2007). Japanese Cinema and The Unfolding Japanese History. Mineapolis: University of Minnesota Press.
Odell, C. (2014). Studio Ghibli: The Film of Miyazaki Hayou and Isao Takahata. Tokyo: Kamera Books.
Pratista, H. (2008). Memahami Film. Yogyakarta: Montase Film.
Priventa, H. (2019). Sikap Ambivalensi Pribumi Dan Hibriditas Masyarakat Di Kepulauan Utara Jepang Dalam Film Animasi Joppani No Shima Karya Shigemichi Sugita. Jurnal Kiryoku, 3(3), 126–134.
Ratna, N. K. (2008). Postkolonialisme Indonesia Relevansi Sastra. Yogyakarta: Pustaka Pelajar.
Said, E. W. (2010). Orientalisme: Menggugat Hegemoni Barat dan Mendudukan Timur. (A. Fawaidh, Trans.). Yogyakarta: Pustaka Pelajar.
Sugita, S. (2014). Jopanni no Shima. Tokyo: Production I.G.
Takahata, I. (1988). Hotaru no Haka. Tokyo: Studio Ghibli.
